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| Sat Jun 20 13:50:35 UTC 2026 | Thank you, Gooseworx. |
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I gave this a microblog post when I saw it in theatres, but now that The Amazing Digital Circus finale is public on the web, I thought it was worth a titled post here.
Genuinely, if I could somehow express anything to the team behind this project, it would be a thank you. I don't think I've been so impressed with the subjects a creative work has been able to present before, and given how many eyes this ultimately got to, I'm only that much happier about it. I'm quite happy with the ending, personally. I don't feel qualified to turn this into a review, so I'll leave it at that. I did appreciate in particular that Gangle and Pomni's real-world selves' lives were presented as worthwhile. I don't know if Gangle was intended as something of a self-insert, that feels like none of my business, but having been on the ass end of the working class before, I appreciated that representation. I try to avoid parasocial internet bullshit and don't spend much time on social media, so I'm unclear on the extent of the harrassment Gooseworx has experienced. All the same, I don't feel any of what I've heard is appropriate, and I would hardly blame her for taking an indefinite break from high-profile work. Beyond that, until I hear about some awful RoosterTeeth level bullshit from them, Glitch has been a huge boost to my media interests since I found them. I dig their monetisation model and so far they've seemed like a great studio for creatives, so props to them too for their part in this. Bury me with my Uzi plush and rig my casket with explosives. That is all. kibachee 2026 Edit: Gooseworx was real for this. [src] 
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